I've decided I'm going to do two double page spreads for my magazine, one of which will be a more traditional double page spread and the other of which will be a butterfly gatefold double page spread i.e. it's a double page spread withA4 flaps that open out on both sides, creating a double page spread that is twice as wide as usual and therefore make two lots of A3. I've seen this format used sporradically in various music and fashion magazines in the past and it's always used very effectively. I plan to leave the flaps that open out displaying just still images with no text to boarder the base body of the double page spread where the article, the title and the text can be found. I plan for this double page spread to be an extension of the band I am writing about who are a noise rock band, so I plan for the spread to look quite distorted and layered, I want it to be loud as well. The images on the outer sheets are going to be in colour on the outisde but on the inside they will be black and white to contrast the colours of the main section of the article.
Monday, 3 December 2012
Wednesday, 28 November 2012
Draft Sketches for My Magazine
Tuesday, 27 November 2012
Analysis of My Title Blocks
Before I get into analysing the various texts I have
selected I feel I should first explain why I have chosen a slightly out of
focus 18 certificate as a background for my title block. The 18 certificate has
links with ideas of taboo, of rebellion, of controversy; these ideas have links
to a certain degree with the idea with my magazine, particularly the rebellious
aspect, but the connotations are something that my target audience will find
very appealing, thus making them more likely to pick up the magazine in the
first place. I also like the idea of building my text within the circle of the
certificate from a stylistic point of view, the music magazine "Q" have done this and I think it helps
that title block stand out from other music magazines on the shelves, and Ialso think
it looks better, more original, bolder. Again this is something my target
audience would find appealing because of these connotations, strengthening my
reasoning for the use of an iconic, arguably infamous, circular image as a
background for my title block.
http://www.youtube.com/watch?v=4_pS46YRMIQ - Zef Side - 1st Viral
http://www.youtube.com/watch?v=AIXUgtNC4Kc - Fatty Boom Boom Official Video - Most Recent Viral
Sunday, 25 November 2012
JAD Feedback
Some work missing here Joe.
Complete the following tasks and post on your blog immediately:
Focus group video
Costume/props planning
Drafting
You have missed deadlines for the
above work.
Also, make sure you upload images of all the pages you have analysed.
Saturday, 24 November 2012
Analysis of Title Blocks: NME and Kerrang
Analysis of Title Blocks
NME:
This title block incorporates bold colour and capital
letters to draw attention from passers-by and as a way to create a distinctive
identity for the magazine. The colour is bold, the letters are in capitals,
these two factors are included not only to stand out on a magazine rack, but
also to tell the audience about how "NME" sees itself: they are a bold, powerful
music magazine, they aren’t fancy, they are elegant, they are just there, and
everyone just has to deal with that since they are clearly making no
concessions for anyone. This surly image is created as a way to attract their
target audience of trendy readers aged roughly 17-21;
this is a young audience that is about admittedly new trends, but mainly about rebellion,
being gauche and outlandish and in the face of society. This title block is doing
all of those things, so by extension the magazine is doing all of those things.
Their target audience is, therefore, more likely to see these traits in the
magazine’s identity as positive and are more likely to not only buy the
magazine because of this, they will identify with it as
well.
Kerrang:
This title block is stark and monotone: white on black. The letters
are bold and uncompromising, they also look like glass shattering; there’s an exclamation
mark at the end of the block as well. "Kerrang" is a surly, heavy metal magazine,
their audience is made of people who are part of the heavy metal niche and that
niche has connotations with aggression and darkness amongst other things. The fact
that the letters are shattering, the fact that the letters are in capitals, the
fact that there is an exclamation mark at the end of the word, all convey this
aggression and therefore make it a large part of the magazine’s identity. The title
becomes a bellow instead of just a statement thanks to all of these aspects, it
becomes a roar, it becomes the defining aspect of heavy metal; the bleak colour scheme conveys a darkness and gloom, again another motif of metal. The target
audience will identify and appreciate this, and they will therefore align themselves
with the magazine. This title block is a very good way to establish the magazine’s
identity from the outset, it is also a great way to build up a very loyal fan base
in a highly simplistic manner.
Tuesday, 13 November 2012
Reader Profile Stimulus Package
To help you further understand my target audience and my
ideas about my magazine from a stylistic point of view I have compiled a mix of
youtube video/channels and web pages for you to look over and browse
through at your own leisure. Pretty much all of what I’m putting up will be
known by my target audience ( all of them have been picked out from the comments left in my survey) and a great deal of what I’m showing you has
influenced the look and style of my music magazine, particularly the photography found in Sonic Youth's live show and Kerosene by the Crystal Castles.Please disregard any adverts that appear before the designated clips begin.
Websites:
Pitchfork Media - http://pitchfork.com/
the AV Club - http://www.avclub.com/
4AD - http://www.4ad.com/
Captured Tracks - http://capturedtracks.com/
Beyond Retro - http://www.beyondretro.com/
Dalston Superstore - http://dalstonsuperstore.com/
Catch 22 bar - http://www.thecatchbar.com/
XOYO: http://xoyo.co.uk/
Creation Records - http://www.creation-records.com/
Last Fm – pages to see:
Noise Rock - http://www.last.fm/tag/noise+rock?ac=noise rock
Chillwave - http://www.last.fm/tag/chillwave
Underground Hip Hop - http://www.last.fm/tag/underground+hip-hop?ac=underground h
Shoegaze - http://www.last.fm/tag/shoegaze?ac=shoegaz
Low-Fi - http://www.last.fm/tag/lo-fi
No Wave - http://www.last.fm/tag/no%20wave
Artists (Last Fm):
Grimes - http://www.last.fm/music/Grimes
Chromatics- http://www.last.fm/music/Chromatics?ac=chroma
Zola Jesus - http://www.last.fm/music/Zola+Jesus?ac=zola
Neon Indian - http://www.last.fm/music/Neon+Indian?ac=neon in
Sonic Youth - http://www.last.fm/music/Sonic+Youth?ac=sonic
The Knife - http://www.last.fm/music/The+Knife?ac=the knife
How To Dress Well - http://www.last.fm/music/How+to+Dress+Well?ac=how to dre
Planningtorock - http://www.last.fm/music/Planningtorock?ac=planningtorock
Colourbox - http://www.last.fm/music/Colourbox?ac=colourbo
Toro Y Moi - http://www.last.fm/music/Toro+y+Moi?ac=toro y moi
Wild Nothing - http://www.last.fm/music/Wild+Nothing?ac=wild Nothing
Tame Impala - http://www.last.fm/music/Tame+Impala?ac=tame im
Mac Demarco - http://www.last.fm/music/Mac+DeMarco?ac=mac de
Cocteau Twins - http://www.last.fm/music/Cocteau+Twins?ac=cocteau
Shabazz Palaces - http://www.last.fm/music/Shabazz+Palaces?ac=shabazz
Majestic Casual - http://www.youtube.com/user/majesticcasual
Etonmessy - http://www.youtube.com/user/Etonmessy
Aliasizm - http://www.youtube.com/user/AliasbassUK
Etonmessy - http://www.youtube.com/user/Etonmessy
Aliasizm - http://www.youtube.com/user/AliasbassUK
Videos:
Grimes – Oblivion: http://www.youtube.com/watch?v=JtH68PJIQLE
Die Antwoord – Zef Side: http://www.youtube.com/watch?v=4_pS46YRMIQ
Die Antwoord - Fatty Boom Boom: http://www.youtube.com/watch?v=AIXUgtNC4Kc
Sonic Youth - Kill Yr Idols Live: http://www.youtube.com/watch?v=gYSnZRDe7h4
Pharcyde - Drop: http://www.youtube.com/watch?v=co3qMdkucM0
Chromatics - In the CIty: http://www.youtube.com/watch?v=tFOxribt3kA
Fever Ray – When I grow Up: http://www.youtube.com/watch?v=4F-CpE73o2M
Deerhunter - VHS Dream: http://www.youtube.com/watch?v=PxRrIGRUazE
Crystal Castles - Kerosene: http://www.youtube.com/watch?v=ZNTanG00Cuw
Sunday, 11 November 2012
Music Magazine: the Uncharted Reader
Travis is 20 and goes to a trendy arts college where he studies Film and American Literature. His ambition is to be a big persona in the creative industries, maybe music, but a career as a writer or film maker would suit him just as well. Travis lives in a studio flat in Shoreditch because he considers it to be a trendy and fashionable part of London. A connoisseur of the avant garde, Travis listens to what he would consider alternate music, so indie four pieces, experimental music , electro, dance, techno , punk and old school rap as he feels that this music sets him apart from "the masses". Travis is all about his own identity and being an individual: he hates glossy magazines that are filled with what he considers to be pretentious and out of touch journalists, he wants a magazine made by people like him for people like him. Travis's favourite record labels are Creation and 4AD because he considers them to be both indie and innovative. He likes his magazines and everything he owns to look as raw and amateur as possible, and strives to create this 'realistic' rustic feel in his choice of clothes and in his creations. Travis is a vegan, he is middle class, he wears skinny jeans, statement t-shirts, leather or military style jackets, he has an undercut and he reads magazines like "Vice"; he watches cult films and reads cult literature, they are usually controversial pieces. Everything Travis does is about being cult and being controversial. He reads magazines (by extension my magazine) to tell him what is fashionable, to confirm his beliefs that what he does is 'cool'. Travis, for all intents and purposes, wants to rebel against mainstream culture. He rejects it point blank, his reading material, his idols, his bands, even his clothes, should carry with them similar concepts, either expressing them outright or suggesting them subtly.
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